DANISH CONTEMPORARY CLASSIC CERAMICS
The works were both by old masters and by younger ceramicists plus some up-and-coming ones who might later be exhibiting at collect in London.
At the private view on 4 October 2009 Birthe gave a short talk on Modernism in Nordic Ceramics explaining how it has come about as a reaction against the Victorian "full of things" decor.
Simplicity of form and ornamentation was now the motto.
Denmark has a long tradition of potting. On farms in Jutland and on Funen which were located near clay deposits it provided extra income for farmers' wives who started making pots for cooking. In those days pottery was very much women's work. Much later - in the twentieth century - it was the big developing porcelain factories which compete for customers among the bourgeoisie who could afford to support this new art form. Manufacturers had studio workshops for studio potters who were financially maintained by the big houses.
Nowadays - a century later - Denmark has many eminent ceramicists who have their own studios independent of the manufacturers. Birthe Fraser stressed that form and glaze is still important in Danish ceramics; there is no need for decor such as flowerd or other depictions.
If you are interested in Danish ceramics and would like to be kept informed of future exhibitions in London or elsewhere contact Cultural Connections CC, 01494 866806 or www.culturalconnections.co.uk.
Lene Orchard
